UNESAP 2024 | WINNERS
Isla Townsend, Self Portrait, oil pastel, Year 1, St Joseph’s Primary School, Uralla (Image detail)
“Isla’s artwork captured my attention immediately and held my interest. I like the expression of the face, the longer I looked at it the more it changed, sometimes looking sad, sometimes happy and at times pensive. The contrast between the solid black background and the colourful body as well as the giant head and small body is an interesting composition. The colourful irregular lines inside the body and head and creates more interest in the drawing as the lines make lovely angles and textures. Because this is a self-portrait, I am very interested to meet the artist and find out why she represented herself this way.” Trish Donald, UNESAP 2024
Eve Richards, Koala Mouse, chalk pastel, Year 2, St Joseph’s Primary School, Port Macquarie (Image detail)
“Koala Mouse is full of personality, it is peppy and fun, and has a sense of joy to it. The limited colour palette is pleasing as are the textures and different directions of the lines. Even though the background and Koala Mouse are very similar in colour, its personality makes it stand out. I would like to be friends with Koala Mouse.” Trish Donald, UNESAP 2024
Jayce Supple, Summer Days, oil pastel, paint and collage, Year 2, Dorrigo Public School (Image detail)
“This artwork captures the sense of fun and freedom of swimming in the pool during summer. I love the long-curved body going through the donut floaty. At first it seems like a very controlled painting, but when you look closer, the details and different marks in the donut, body and water are lovely and give the artwork a painterly feel. I would like to be in that pool swimming, but someone would have to stop me from trying to eat that donut, it looks almost real and delicious! ” Trish Donald, UNESAP 2024
Lincoln Thackway, Caterpillar, pencil, Kinder, Drummond Memorial Public School (Image detail)
“The composition holds the viewers interest because it is looking directly at us. The focus and detail on the head are lovely and the way the detail falls away as we move down the body into free, wild lines is delightful and full of energy. This little caterpillar would be recognisable to most people and I really enjoy that this artist has paid homage to Eric Carle’s The Very Hungry Caterpillar.” Trish Donald, UNESAP 2024
Excellence Akinola-Alabi, Bird Party, collage, pencil and acrylic paint, Year 3, Drummond Memorial Public School (Image detail).
“This painting drew me in as it created a story and I can imagine the different conversations and sounds the birds are making. There is a lot of action, birds coming and going, sitting and talking, all sorts of movement and wonderful textures. The composition is broken in half by the branch and the distinct red and blue backgrounds but the artwork is pulled together as a whole because of the different placements of the birds and the use of colour. I like that some birds are obvious while others are subtle, and some are hinted at. Every time I come back to this drawing there is something new to find, and a new story to make up.” Trish Donald, UNESAP 2024
Izzabelle Laundess, Untitled [vase], oil pastel, Year 5, Premer Public School (Image detail)
“This artwork shows sophisticated restraint. It has a stillness to it that is very pleasing to look at. The soft subtle colours and tones blend beautifully as the colours mix together. The slight lean of the vase works perfectly to give the artwork energy, if it was too straight it would have been stiff. The use of black background with these colours is effective and allows the flowers to stand out. I feel this work pays homage to traditional still life artists in history while bringing a youthful personality to the artwork.” Trish Donald, UNESAP 2024
Adele Simba, The Sea of Love, collage, Year 6, Drummond Memorial Public School (Image detail)
“This artwork has lots of detail and features that the viewer can use to create a story. This meant there was always more to discover and interpret every time I looked at it. The use of complementary colours is very good and helps to pull the viewer’s focus. The textures drawn on top of coloured cut out painted shapes adds interesting visual elements to the painting as well. There is a lot of layering and thought that has gone into this painting which I appreciate.” Trish Donald, UNESAP 2024
Charlotte Ford, Deer in a Forest, watercolour, Year 5, Ben Venue Public School (Image detail)
“The watercolour technique in this artwork is extremely good. The use of colour and tonal range highlights the deer beautifully and the deer has a gentleness to it. The artwork is not over controlled and retains a looseness and I really enjoy the bleed of colours around the edge of the artwork. Sometimes it is tempting to hide edges with a frame, but in this instance, it adds a quality to the painting which is pleasing on the eye.” Trish Donald, UNESAP 2024
Madeline Buntine, Alone at Nobles, digital photography and colour manipulation, Year 9, The Armidale School (Image detail)
“At first glance this artwork is bold and has a strong compositional impact and when I looked closer it also has interesting details such as the sign and stickers on the window. The sense in this artwork is that the building has a long history with a story to tell about its inhabitants and this made me curious. The style borders on graphic novel combined with painting which is enjoyable and the textures add depth and detail to the colours. This is a mature and thoughtful work.” Trish Donald, UNESAP 2024
Poppy Grace-Newton, Everything! Even the Kitchen Sink, oil pastel, Year 8, PLC Armidale (Image detail)
“The use of colours is an obvious stand out in this artwork. I particularly enjoyed the use of so many colours blended together to create so much interest in everyday objects such as a sink, a plug hole, and discarded mugs. The perspective seems to shift and slide which I thought gave the artwork a quirky energy.” Trish Donald, UNESAP 2024
Hugo Jones, The Contented Chook, oil pastel, Year 9, Hastings Secondary College, Westport Campus (Image detail)
“The richness of the colours in this distinguished chook are beautiful and have such a depth to them. The chook emerges out of the background and the artist has used the touches of black marks over the chook’s neck and head really well. This helps ‘hold’ the chook in place on the background. The colour choice, composition and subject matter are a nod to the old masters still life paintings and I enjoy seeing this in a young artist.” Trish Donald, UNESAP 2024
Aelah Winrow Sindicic, Melancholy, soft pastel, Year 11, Armidale Secondary College (Image detail).
“The technical ability of this artist is of a high calibre, they understand how to utilise lighting, tone and restraint to create mood and emotions. But more importantly for me, the portrait conveys feelings that are palpable, feelings that all viewers will be able to relate to. While the face is very controlled, you can still feel the artist allowing the artwork to emerge. There is a spiritual quality in this artwork you observe in religious paintings of the Virgin Mary. I think this quality provides even more beauty to the complex feeling the young woman in this portrait. ” Trish Donald, UNESAP 2024
Daisy Donaldson, Australian Atmo-Sphere, pencil, Year 11, PLC Armidale (Image detail).
“This painting is an imaginative interpretation of the Australian Outback Landscape. At first glance it appears just as you would expect the outback landscape to look; the orange land, blue skies, burning sun. However, on closer investigation, the repeated stylised circle motif generates a lot of interest. I had a wonderful time finding all of the creatures with their little round bodies such as the Kangaroo, Emu, Wombat family and ants! Even the dams and clouds are circles. This discovery was delightful and engaging and made me keep looking for more! The size of the artwork also works well.” Trish Donald, UNESAP 2024
Jacky Ham, Fabrication, watercolour, acrylic and pen, Year 11, Narrabri High School (Image detail).
“Fabrication uses a nice blend of mediums. The soft use of tones and attention to more decorative elements bring variety to the portrait and I really liked the use of thin black lines curving in and around the facial features. For me this artwork was leaning towards a modern graphic novel style and I could imagine this person as a main character in a series of stories and other worldly adventures.” Trish Donald, UNESAP 2024
Dechen Kandro, Veiled India, white pencil, Year 12, Uralla Central School (Image detail)
“This is a bold portrait with the downcast eyes, and dual representation of black and white in the face provoking a curiosity in me about this person’s experiences in life. The pattern and details of the fabric and jewellery is delicate and beautiful, hinting at a wealth and depth of culture. The technical skill adds to the overall quality of this artwork while the use of black and white is striking.” Trish Donald, UNESAP 2024
Mackenzie Larkings, Cat Head, Penguin Body in the Dark, pencil, watercolour and marker, Year 2, St Patrick’s Primary School, Walcha (Image detail).
Jayce Supple, Summer Days, oil pastel, paint and collage, Year 2, Dorrigo Public School (image detail).